Why Is My Baby Smelling Feet?

12 th Flia fanzine in Argentina

the 12th FLIA

Saturday 5th and Sunday 6

DECEMBER 2009

(If it rains on Saturday 5, the two-day fair pass for 12 and 13 December. If the Saturday 5 is nice, but on Sunday June rains, it is on Saturday 5th and Tuesday December 8 holiday)

F pipelining L IBRO I NDEPENDENT and ( A )

GRAPHICS COOPERATIVE SCHOOL patricians and No. 2 OF 4

AV. PATRICIOS 1941 - SHOPS - LA BOCA

INDEPENDENT BOOK FAIR IN THE STREET

The two-day fair will be held on Av Patricios

over 150 posts escritorxs and independent publishers.

El Culo De Jenifer Lopez

2 ª Flia in Chile in Argentina FLIA

The FLIA is an instance open and participatory dissemination and distribution of independent artwork and self-managed and those who encourage it.

We are working again wiki where you can integrate with your project for virtual meetings by writing to: info.fliachile @ gmail.com

Cant Touch Certain Paper

PREMIERE "THE UNDERGROUND TV" OF THOMAS ESPINOSA. Before

Xerex Movie Free Online

11th Eviction

FLIA 11th
Sunday 16 and Monday 17 (holiday) August
at IMPA (factory recovered by its trabajadorxs)

-Querandíes 4290 (corner Pringles), Caballito.
-D and 12 to 22hs

independent publishers - Fanzines - Alternatives Publications - Magazines
Writers / independent as - Bookbinders / as - Photographers - Illustrators Painters
- Visual artists - Poets - Crazy cute - Musicians - Filmmakers - Vj's - Teatro - Performances - talks
Hippies - H istorietistas - Huertistas - Vos - Comics - Punks - Distributors - People with strange hairstyles new media collective - Media - Radio - Newspaper - We - Villages

info.flia * @ gmail.com

* http://feriadellibroindependiente.blogspot.com/

* www.flia.org.ar

Extreme Eye Rescue By Isabella Pelle Reviews

Cruz Rios, Emilio Carballido (trials)

Before testing cross rivers monologue written by Emilio Carballido the Laboratory of Teatro Campesino and Indigenous mounted in the former convent of Culhuacán. María Alicia Martínez Medrano directed. Features, Friday, Saturday and Sundays, 19 hours. From 17 July until 16 August.

Why Do Pimples Appear On My Scalp

Premiere Before crossing rivers, Emilio Carballido

"Before crossing rivers" opens Friday July 17 in the former convent of Culhuacán. Morelos No. 10, Colonia Culhuacán, 19 hours.

For over 35 years, Maria Alicia Martinez Medrano has worked with rural and indigenous communities in the country to recover and disseminate the performing arts.

Laboratory Teatro Campesino in Indian (LTCI) continues its season in the former convent of Culhuacán with stagings of Mexican authors, led by Maria Alicia Martinez Medrano.

Now it's time "Before crossing rivers" by Emilio Carballido (1925-2008), written in 1967 that portrays the misunderstanding of the elderly who are victims. Delia Rendon, head of the project, says the work shows "how are relegated and ignore their experience, despite having much to contribute. Is a monologue that tells how to transform your space look people in the third age. " It is a poem that Master Carballido created from nostalgia for the environment is no longer the same of his childhood and youth (land, forests, rivers, animals, plants, family), but also recreates the love life of grandparents. "Before crossing rivers" opens Friday July 17 in the former convent of Culhuacán. Morelos No. 10. Culhuacán colony. Phone: 5608-0122. Performances are every Friday, Saturday and Sunday until August 16 to 19 hours.

Master Martínez Medrano, Emilio Carballido notes that "states that the character (Esteban Plaza) is the old man who unfortunately all despise. When people reach old age, usually children and people no longer respect them. Only 8% of they are worried about their old parents. "

actors involved in the assembly and technical part of the LTCI in Mexico City.

• Cayetano Martínez Cordero

• Carmen García López

• Silvia Estela Rosas
Duartes

• David Alpizar Mora

• Jorge Alejandro Suarez Rangel

• José de la Cruz León

• Patricia Cruz Aramburo

• Pamela Vazquez Luna

• Carmen Reyes Zamora

• Adriana Aramburo Cruz

• Roberto Ramírez Méndez

Education work and theatrical production Laboratories Teatro Campesino and Indigenous begins in 1972 in Yucatan Theatre Workshops (Uaymitún, Cordemex Cultural Centre, Theatre Space in the Southeast and Virgilio Mariel .) In Tabasco started its activities in 1983 supported by the then state governor, Enrique Gonzalez Pedrero and his wife, Julieta Campos. Object

awards in Mexico and abroad, and participating in festivals in Veracruz, Tabasco, Guanajuato, Sinaloa, Yucatán and Mexico City and in New York, Cadiz and Madrid, the LTCI is has spent working in small communities of no more than 2 000 people, usually in terms of economic and educational marginalization.

For over 35 years, teacher Maria Alicia Martinez Medrano Theatre Lab founder of unique, has worked with rural and indigenous communities in the country to recover and disseminate the performing arts of our indigenous and mestizo cultures. In this time he founded about 20 laboratories in the Federal District, Mexico State, Morelos, Yucatan, Quintana Roo, Sinaloa and Tabasco.

Similarly, the work of LTCI has been endorsed by national and criticism of writers, journalists, playwrights and actors. Currently the project is part of the Program to Support Arts Groups Performing Arts Professional, Mexico on Stage, the National Fund for Culture and the Arts (FONCA).

This is not the first foray of the LTCI in the former convent of Culhuacán earlier in the year 2000 presented Boba Lady of Elena Garro and Moctezuma II, Sergio Tomorrow, with great success. And as part of the death anniversary of Master Cristina Payan Laboratory Teatro Campesino and Indigenous, introduced July 13, 2007 Conmemorantes staging of Emilio Carballido.

Healthlite Case Study Free

CIE AKI

Official ComuniK Research Center Aki escenika squat republika # 550.

Today July 14, 2009 being 8:45 am, a group of about 150-200 pakos

took by assault the research center Aki escenika republika # 550 squat evicted and paving of a violent and repressive.

know the situation that is generated and not the exception, after more than 4 years of self-management Kultural in an open center, where worked and spent more than 15 000 people, 30 bands, 100 Kompania theater, more than 60 different workshops and activities.
observed the phenomenon generated in this space, a space where human beings could be free, where the need for a place to squat develop and grow as a group or individually and collectively, financed by project ideas, project not solved in the enrichment economic, no thought of profit, autonomous which we know that causes trouble for the state, but for us, is the best we have.
segir Our forces, we do not curb our inquetudes continue to work in our efforts to enable derelict for art, culture, autonomy and self-management.
not stop the fight to reclaim the party for the public spaces.
will not stop our dreams, ideas can not be evicted
10000 squats for an eviction.
We ask you to continue conducting classes at the front of the house to take consiencia of what we took, here we are.
We are working for you and we xD.
Any new data (address xD) advised them via internet.
SERNAM going to punish (buuuuuuu booed buuuuu)
now a cyber kafe: Health and freedom.

Mount N Blade Marriage

comments about the new show (before crossing rivers, Emilio Carballido)

Cayetano Martínez (Actor LTCI)

Stephen Plaza, is a man who loves life, but what it means to love life is what it gives you, what you build with with your partner, living in communion with the earth: plants, rivers, animals. All this prompted him to create what is proposed, have your home, your garden, your children, go hunting, live actively, because he loved the family. That's Stephen Plaza, and now alone.

is to draw attention not only the ruthlessness with which the elderly are treated in this country, but how our values \u200b\u200band customs have been subverted, perverted, and bombed by the government and large corporations. We now live in another world and I think that in this work (before crossing river), the teacher calls Carballido reflection. The first time I read I imagined what it was this city when there was still canals and rivers, while still bringing the vegetables Xochimilco. I wonder what became of that? Now I see it in pictures and I read in reviews, because this city and is monstrous. I think it is unique in the world, because every place where nature has been disrupted in this way, ends up being a mess. What once was a day trip is now a nightmare.

David Alpizar Mora (Actor LTCI)

's character before crossing rivers is a person we had the affection of their parents and the example for all to enrich what they already had built with his wife, who is the love of his life. Knows how difficult it is to get the things and the tragedy that can er get rid of everything when you least expect it. There is in him a feeling of anger and resentment that fails to develop fully because deep Esteban Plaza is the father. However, growing up surrounded by nature is invaded by the nostalgia of memories, and that it can create in him feelings of despair, as it begins to feel alone, abandoned by their children and destitute.

Plaza

were looked for ways to enrich their children with education, giving them a better quality of life, however they are embarrassed by the way his father lived nature, its own world. Of the father that they create resentment and does not want. Another concern of the teacher Carballido in this work is to make clear how so disproportionate cities have developed and attacking nature.

José de la Cruz León (Teacher and actor LTCI)

believe that the character of a man were absorbed Plaza the city, where it grows as the ranch was a place surrounded by nature. He received a rural education by their parents. Surely the school was to plant and hunt, take care of the cows and chickens, that was his life. He is a man with much experience. He did

family thinking that their children would adopt the same habits, hunting and planting the land which the father of both cared Plaza.

believe that the character had three big disappointments in his life. The first is that his wife, who is deeply in love, he dies. However, believe their children will help you get diminishing little by little the pain. But it takes another blow when he feels strong one child betrays the idea of \u200b\u200bdefending the land, as he had fought against the government and large companies, against many conflicts that the city itself was created. And she did until they no longer had the physical strength, because he never lacked moral force ", but never stopped loving his son and hoped that he might one day think. The third disappointment of his life is that her grandchildren are the bad guys with him.

All this conflict is deteriorating Stephen Plaza, to the point of feeling useless and crazy. Nevertheless kept faith with his wife, the earth and a vague hope that their children can truly love him.

Roberto Ramirez Mendez (Master of LTCI)

Esteban Plaza is the symbol of all old. It's the same story, work hard, have children and then are unprotected and forgotten. Even in some cases forcing them to let it die. Esteban Plaza are all old, not only in Mexico but around the world.

Maria Alicia Martinez Medrano (playwright and director of LTCI) Emilio Carballido
tried to tell us that the character (Esteban Plaza) is the old man who unfortunately all despise. When people reach old age, usually children and people no longer respect them. Only 8% of children worry about their old parents.

That is Stephen, a man who is left alone, abandoned, steals her son, their grandchildren will spit and say things very violent. Carballido said it very clearly, is the battle against evil, the suffering of the elderly. This work makes you mourn along with Esteban Plaza. I think it would have to write much about this neglect of the old outcast, reviled, despised, without work and without enough strength to keep doing for their children and grandchildren what they did throughout his life.

Initiation Ideas Here I Am

Time's Love (Skit)

Missed Period And Hig Cervix

And I was. Rainy day we had to face so grateful to the exhibitors participating in these adverse weather conditions. We also thank the ICN Aki, Sun Workshop, Matthias Flia Reck of Argentina, Benjamin transfer, Manu, Richard, Tatiana, and Daniella Claudio Elgueta. A bands The Golden Acapulco, Radiotriciclo , Circle No. 6 and Elephant and Gonorrhea Irina with the Loka. The boys of Engraving and serigraflia Ataka for free, Gustavo de Corazón Contento for lunch and Diprovena for inputs in vegetarian.

wiki retake meetings for the 2 nd FLIA, so if you want to integrate them info.fliachile @ gmail.com writes

climbed to Flickr, the link is in the photo so you can see them. Tod @ s that have photos or videos (not filmed reconch nothing ...) please send them by mail.

Eyeclops Mini Projector Bulb

On Saturday 27 from 17.00 hrs Aki work at home ordering specifying more space and programming. We look forward with contributions packing tapes, cloths, cardboard, markers, staplers, extenders, cloth and fluids to clean the tables and chairs.

There are 20 inns of 1.50 mt x 50 cm. and 30 exhibitors at the space that will be 75 x 50 cm for each exhibitor (2 per inn). As each of us safely or not working alone or to go with a friend or friends ask you to wear flats because we have 30 chairs (one per stand). Mesons reach the same Sunday at 10 am we invite to come early to help.

To use data and / or reading can only use 10 minutes than for those already enrolled

weather forecast on Sunday will be very cold and rain and we urge to dress warmly and stay all casa ya que estaremos a resguardo de la lluvia

Nos conseguimos un pequeño catering para los puesteros y bandas por la concesión de la venta de comida por lo que pedimos no llevar comida para vender.

Recordamos que no se puede ingresar alcohol y que si bien no se cobrará entrada existe la necesidad de llevar aportes para la casa consistentes en: Articulos de aseo (cloro, jabones, escobas, lavalozas, esponjas, detergente, limpiapisos, ceras, etc), Alimentos, Comida para perros, libros, materiales eléctricos (ampolletas, alargadores, enchufes, etc.).

Por último realizaremos un BINGO SHOW con los generosos aportes de cada uno de nosotros con alguna muestra de nuestro trabajo.
The address is Av
Republic 550, metro
Republic is open from 12-20 hrs
and the date is Sunday, June 28 (Monday 29 is a holiday)

now spread to your contacts.

Women Being Sat On Fetich

details

Programming Independent Book Fair and Alternative
Sunday, June 28, CIE Aki, 550 Republic

Home
12.00 12.00 13.30 Projection short readings , open mic.

Lunch 13.30 to 14.00 14.00 to 15.30 Short Projection, readings, open mic. Performance

15.30 to 16.00 16.00 to 17.00 Short Projection, readings, open mic.
17.00 to 17.30 The Golden Acapulco, screen live
17.00 to 18.00 Radiotriciclo, screen live
18.00 to 18.30 Circle No. 6
18.30 to 19.00 Elephant and Gonorrhea
19.30 to 20.00 Bingo Show
20.00 Term

can expose a displays of posters and flyers Chilean Animal Liberation. The presentation of the Wheel of Fortune and the visit and presentation by representatives of Argentina FLIA.

On Saturday 27 from 17.00 hrs Aki work at home ordering specifying more space and programming. We look forward with contributions on tape Packaging, cloths, cardboard, markers, staplers, extenders, cloth and fluids to clean the tables and chairs.

Old Camera Parts Diagram

The LTCI in Day Time's

Ana Mónica Rodríguez

For

choice, your name is Isaac. Since very little was violated for several years was an altar boy at the church where he was outraged. Pederestia, cruel abuse drugs and were present until the end of his life.

This is the theme of the play time is over love, Emilio Carballido (1925-2008), who on Friday will be released in the unusual setting of the former convent chapel Culhuacán, which also offers additional elements: the casual look of people who come to the cemetery adjacent to visit the graves of their loved ones and the participation of 12 players Laboratory Teatro Campesino e Indígena (LTCI) in Mexico City.

the full story.

Where Can I Find Cazal 856

love (trials) Press Release

The LTCI begins its season in the former convent of Culhuacán with the staging of "No more time for love" by Emilio Carballido. Directs María Alicia Martínez Medrano. Premiered on 19 June. Fridays, Saturdays and Sundays, 19 hours. Culhuacán former convent. Morelos 10, Culhuacán Iztapalapa. Popular prices!

Swollen Ankles And Alcohol

Laboratory in Indian Teatro Campesino (LTCI) starts its season in the former convent of Culhuacán three stagings of renowned Mexican authors, all under the direction of the Mexican playwright María Alicia Martínez Medrano.

The season kicks off on June 19, every Friday, Saturday and Sunday at 19:00. Popular prices.

Time's the love of Emilio Carballido (1925-2008), written in 1973, whose theme is still very much alive: drugs and religious intolerance. Isaac, the main character has lost the reason for the drug. In the words of María Alicia Martínez Medrano, "Isaac is the symbol of horror and is a rich character to display to the church." Premieres Friday, June 19.

crossing rivers

Before Emilio Carballido, written in 1967 which depicts the existing misunderstanding with the elderly. Delia Rendon said that the work shows "how people's will and ignore relegating its experience, although they have much to contribute. It is a monologue spoken of how he has transformed the space of those seniors. " Premieres Friday 17 July.

Thomas buried Television Espinosa (1947-1992), written in 1980, shows how the media has positioned itself over the branches of government, and how television has become a fundamental weight in the existence of our society, to the point of separating. Premieres Friday, August 21.

participate in assemblies ten actors who are part of the LTCI in Mexico City.

• Jorge Alejandro Suárez Rangel
Cayetano Martínez Carmen García López
• Silvia Estela Rosas Duartes
David Alpizar
• Mora José de la Cruz León
Aramburo
• Patricia Cruz Pamela
• Vázquez Luna Carmen Reyes Zamora
• Adriana Cruz Aramburo

Laboratory Teatro Campesino and Indigenous in 1983 began operating in Tabasco, supported by the then state governor, Enrique Gonzalez Pedrero and his wife, Julieta Campos . During five years, the teacher Maria Alicia Martinez Medrano and a group of teachers and founders of the Laboratory co-authors worked with children, youth, adults, old, men and women from seven communities: Oxolotán, Mazateupa, TUCTA, Simon Sarlat, The Birds, Redemption Villa del Campesino and Quetzalcoatl. Object

awards since 1968, both in Mexico and abroad, and participating in festivals in Veracruz, Tabasco, Guanajuato, Sinaloa, Yucatán and Mexico City and in New York, Cadiz and Madrid, the LTCI is dedicated to work in small communities of no more than 2 000 people, usually in terms educational and economic marginalization.

For over 35 years the artistic director of this project, unique in its kind, has worked with rural and indigenous communities across the country to recover and disseminate the performing arts.

The project is part of the Program to Support Arts Groups Performing Arts Professional, Mexico on Stage, the National Fund for Culture and the Arts (FONCA). Delia Rendon

ensures that laboratories seek from theater production and sustainability. "The approach of this project is to inform the Mexican authors, reading and analyzing their works, through of different laboratories theater. " They are supplemented with reading and analysis of universal classical authors.

argues that in Mexico there is discrimination in the theater and are hardly works of Mexican authors. Which is sad because many of them talk about us, our identity. " And while "it is important to meet other authors, we think it is also important to know the work of our playwrights."

The director, Maria Alicia Martinez Medrano, said understanding the different problems facing youth, "no art, no dance, no theater, no educational mechanisms to develop."

So we will establish a laboratory Teatro Campesino e Indígena here in Mexico City, in the former convent of Culhuacán. There are people who already know what LTCI, but we want more students, as we have them in different states of the republic. "

says that "government discrimination against indigenous people has been historically and predominantly rural, but in general is to the marginalized people. Almost all cultures have done theater, but the bad governments were left by the wayside their cultural manifestations. "

So says "I chose to work with Indians and peasants. Many playwrights and directors were beside since we strengthen ourselves. It is not surprising that a native or a peasant can be a great actor. Hundreds of years ago they were doing theater, a theater that we have not rescued. "

LTCI

's work has been supported by national and international criticism of writers, journalists, playwrights and actors.

This is not the first foray of the LTCI in the former convent of Culhuacán earlier in the year 2000 presented Boba Lady of Elena Garro and Moctezuma II, Sergio Tomorrow, with great success.

And as part of the anniversary of the death of Cristina Payan, Laboratory Peasant and Indigenous Theatre, directed by Maria Alicia Martinez Medrano, introduced July 13, 2007 Conmemorantes staging of Emilio Carballido. The staging moved the audience.

addition, the LTCI in 1999 and 2000 gave a series of theater workshops for children, youth, adults and elderly people.

Chupa Chups Vegetarian

Last Avant Premiere Pro Funds

On Saturday 20 June at 20 hours will be screening the documentary by Amador Morales in March 2000. Interviews with Morrissey fans and images of the first visit to Chile of former The Smiths.
Held Company 2085 Sun Workshop
Price: $ 1000 early in Diprovena (Dos Caracoles L61-B) and the Sun Workshop
the same day $ 1500.
$ 2500 Entry more documentary

Trailer: Http://www.youtube.com/watch?v=q5ci_XLGLa8

Dress For Travestites

This is the lineup of the season to be the Laboratory of Teatro Campesino and Indigenous in the former Convent of Culhuacán. See you there!

Programming Sequoia Remote

FLIA Chile

Book Fair and Alternative Independent already has his first date. We will carry it on 28 June in Escenica Research Center, squatted on the street AKI Republic 550, Santiago. Entry and registration will be a material contribution to the House (toiletries, dog food, etc..). Write to info.fliachile
@ gmail.com

Make Yourself Into A Wolf

Thomas Espinosa talks about Emilio Carballido the LTCI

About a series of plays by the Laboratorio de Teatro Campesino e Indígena (LTCI) in Oxolotán, Tabasco, the Mexican playwright Tomas Espinosa (1947-1992) published on June 18, 1984 an article entitled Theatre to be, full image. The late author of The trials of a lizard and buried Television noted: "Oxolotán, Tabasco, is the scenario: all the people, the river the streets, the ruins of the temple full of roots and vegetation finally lush mountain forum, where we long have Lilus Kikus and Blood Wedding -. The whole village is a large theater where it is represented and lived St. Matthew Passion . All are actors and spectators at the same time, authors and characters, too. "

In the newly created Maria Alicia Martinez Medrano see what the playwright said: "The concept of the show is topical and not anecdotal. Hence, do not ever fall in public areas of religious theater or tacky decorations of the hagiographical craft. "

argued that "for the imagination Mary Alice and imaginative vitality of the people oxoloteca no walls or obstacles or barriers. The storms wiped them three times scenarios designed in the river and ultimately the nature temporized and left them where we were sitting on the roots of a beautiful tree. And Mary Alice directs as if he were making the grand opera of the world's creation, the great drama of the universe: the overture is a parade of young people in canoes. And all so outrageous images of beauty like the bathroom of the people, the temptations of Satan, the annulment conception, the birth of a child oxoloteca of ineffable beauty, with angels oxolotecas that birds appear. Mary Alice rescues the beauty of the town and returns in perfect synthesis: that rirmo speech, that rhythm of walking and the beauty of the faces and bodies, the freshness, strength, its ability playful and cosmogony. "

To tell Espinosa, Mary Alice used to mount his work ninety percent of theatrical images "because in the end, the theater is to see and not to hear. What else can you say about perfection? "

De Lilus Kikus and Blood Wedding claimed that the playwright assemblies led by Maria Alicia Martinez Medrano "is reflected throughout the infant cosmos through the grace of our bodies, voices and light eyes. Suddenly all the pictures provoke the comparison: it would Pasolini, this would be Fellini (especially in Blood Wedding with scenes from the party), but would in essence. "

Remata his article by saying: "In theatrical jargon would say this is a blockbuster, and purity, Oxolotán is a theater that goes beyond the definitions: the solidarity of art and life."

Cruising Spots Washington Dc

talks about the upcoming

Lácides In an interview with the teacher Detjen García Emilio Carballido (1925-2008) in the city of Villahermosa, Tabasco, in 1984, with regard to assembly Bodas de Sangre Federico García Lorca's (1898-1936), made by the Laboratory of Teatro Campesino e Indígena (LTCI) under the direction of Maria Alicia Martinez Medrano, playwright, author of Rosalba and keychains said the LTCI showed "a very rich work proposal. It is a symphony of an immense force that will produce changes and manifestations of a new consciousness stage we can not foresee at the moment, the truth is that with the coming LTCI is something new, something of a very clean and very pure. The intent of this theatrical event is not new, since there is already experience of Guanajuato, with the work of Entremeses . But the big difference and importance in relation to the work of LTCI, in this case the work Blood Wedding, which is what I've seen, "is because it is stronger, is very accomplished, very beautiful. The work is the essence of the tragedy and what amounts to a condition that is an indigenous theatrical ceremony, with all the features and authenticity. But all that is necessary for the encounter of a talented director (Maria Alicia Martinez Medrano) and latent talents of actors who to blend the purest tradition and peasant and indigenous roots of a tragedy fail to English customs and it recreated itself a work of customs Tabasco. "

not a mistake to say this, but the fact is that anyone who is staging the LTCI, apart from the praise expressed by the impression of the work, because he always admired the strength and mystique of the group work. In this connection the late playwright said: "It seems a very nice, capable and full of virtues. The people who formed is very beautiful, with an unspeakable force projection. All have a supernatural dignity, displacement, the performance of each of them has a very eerie. A group of tall, with many creative and imaginative resources. They all denote personal identity and the role they perform. This group is promising fruits worth waiting for the Mexican theater.

I am no prophet. The LTCI is only that there is some great future and a contribution of capital value which is coming to the theater. Throughout the Festival of Xalapa, Veracruz, was the big event. Observers, from Montreal to Buenos Aires, were impressed, for many, with whom I spoke, it was something sensational, even described the work as a stream of great natural and fresh air for the Latin American theater. The president of the Ateneo de Caracas, the former director of the Colombian Institute of Culture, Gloria Zea Hernandez and the Argentine critic, were Luis Molina, who were at the festival, agreed that it was a phenomenon of continental importance.

A Detjen Garcia's question about whether write something for the LTCI, the teacher immediately Carballido said: "I've thought of this I have been talking with Mary Alice (Martínez Medrano). You always write about what you like and love. LTCI write something for my second theatrical life satisfaction. "

Later in the interview, would praise the work of Martínez Medrano: "The first mark of a good manager is knowing where you are and with whom she works. Mary Alice knows where so his message is of great wisdom and great beauty. "

Finally, Carballido considered not believe in the existence of a renewal in working methods. "Art is not a straight road to infinity. Is a renewed spiral turning in on itself. All work innovative, invigorating, is a renewal of a method that is exhausted. For me the LTCI is a sample of the rescue of the peasantry. Is a return to theater festival collective. It is a return to parties which are always the people. "

Difference Between Emu Bronte And Emu Stinger

LTCI

tests staging "Time's Love" by Emilio Carballido (1925-2008). María Alicia Martínez Medrano directed.

release June 19. Ex Convento de Culhuacán.