Swollen Ankles And Alcohol

Laboratory in Indian Teatro Campesino (LTCI) starts its season in the former convent of Culhuacán three stagings of renowned Mexican authors, all under the direction of the Mexican playwright María Alicia Martínez Medrano.

The season kicks off on June 19, every Friday, Saturday and Sunday at 19:00. Popular prices.

Time's the love of Emilio Carballido (1925-2008), written in 1973, whose theme is still very much alive: drugs and religious intolerance. Isaac, the main character has lost the reason for the drug. In the words of María Alicia Martínez Medrano, "Isaac is the symbol of horror and is a rich character to display to the church." Premieres Friday, June 19.

crossing rivers

Before Emilio Carballido, written in 1967 which depicts the existing misunderstanding with the elderly. Delia Rendon said that the work shows "how people's will and ignore relegating its experience, although they have much to contribute. It is a monologue spoken of how he has transformed the space of those seniors. " Premieres Friday 17 July.

Thomas buried Television Espinosa (1947-1992), written in 1980, shows how the media has positioned itself over the branches of government, and how television has become a fundamental weight in the existence of our society, to the point of separating. Premieres Friday, August 21.

participate in assemblies ten actors who are part of the LTCI in Mexico City.

• Jorge Alejandro Suárez Rangel
Cayetano Martínez Carmen García López
• Silvia Estela Rosas Duartes
David Alpizar
• Mora José de la Cruz León
Aramburo
• Patricia Cruz Pamela
• Vázquez Luna Carmen Reyes Zamora
• Adriana Cruz Aramburo

Laboratory Teatro Campesino and Indigenous in 1983 began operating in Tabasco, supported by the then state governor, Enrique Gonzalez Pedrero and his wife, Julieta Campos . During five years, the teacher Maria Alicia Martinez Medrano and a group of teachers and founders of the Laboratory co-authors worked with children, youth, adults, old, men and women from seven communities: Oxolotán, Mazateupa, TUCTA, Simon Sarlat, The Birds, Redemption Villa del Campesino and Quetzalcoatl. Object

awards since 1968, both in Mexico and abroad, and participating in festivals in Veracruz, Tabasco, Guanajuato, Sinaloa, Yucatán and Mexico City and in New York, Cadiz and Madrid, the LTCI is dedicated to work in small communities of no more than 2 000 people, usually in terms educational and economic marginalization.

For over 35 years the artistic director of this project, unique in its kind, has worked with rural and indigenous communities across the country to recover and disseminate the performing arts.

The project is part of the Program to Support Arts Groups Performing Arts Professional, Mexico on Stage, the National Fund for Culture and the Arts (FONCA). Delia Rendon

ensures that laboratories seek from theater production and sustainability. "The approach of this project is to inform the Mexican authors, reading and analyzing their works, through of different laboratories theater. " They are supplemented with reading and analysis of universal classical authors.

argues that in Mexico there is discrimination in the theater and are hardly works of Mexican authors. Which is sad because many of them talk about us, our identity. " And while "it is important to meet other authors, we think it is also important to know the work of our playwrights."

The director, Maria Alicia Martinez Medrano, said understanding the different problems facing youth, "no art, no dance, no theater, no educational mechanisms to develop."

So we will establish a laboratory Teatro Campesino e Indígena here in Mexico City, in the former convent of Culhuacán. There are people who already know what LTCI, but we want more students, as we have them in different states of the republic. "

says that "government discrimination against indigenous people has been historically and predominantly rural, but in general is to the marginalized people. Almost all cultures have done theater, but the bad governments were left by the wayside their cultural manifestations. "

So says "I chose to work with Indians and peasants. Many playwrights and directors were beside since we strengthen ourselves. It is not surprising that a native or a peasant can be a great actor. Hundreds of years ago they were doing theater, a theater that we have not rescued. "

LTCI

's work has been supported by national and international criticism of writers, journalists, playwrights and actors.

This is not the first foray of the LTCI in the former convent of Culhuacán earlier in the year 2000 presented Boba Lady of Elena Garro and Moctezuma II, Sergio Tomorrow, with great success.

And as part of the anniversary of the death of Cristina Payan, Laboratory Peasant and Indigenous Theatre, directed by Maria Alicia Martinez Medrano, introduced July 13, 2007 Conmemorantes staging of Emilio Carballido. The staging moved the audience.

addition, the LTCI in 1999 and 2000 gave a series of theater workshops for children, youth, adults and elderly people.