Friday, July 17, 2009

Why Do Pimples Appear On My Scalp

Premiere Before crossing rivers, Emilio Carballido


"Before crossing rivers" opens Friday July 17 in the former convent of Culhuacán. Morelos No. 10, Colonia Culhuacán, 19 hours.

For over 35 years, Maria Alicia Martinez Medrano has worked with rural and indigenous communities in the country to recover and disseminate the performing arts.

Laboratory Teatro Campesino in Indian (LTCI) continues its season in the former convent of Culhuacán with stagings of Mexican authors, led by Maria Alicia Martinez Medrano.
Now it's time "Before crossing rivers" by Emilio Carballido (1925-2008), written in 1967 that portrays the misunderstanding of the elderly who are victims. Delia Rendon, head of the project, says the work shows "how are relegated and ignore their experience, despite having much to contribute. Is a monologue that tells how to transform your space look people in the third age. " It is a poem that Master Carballido created from nostalgia for the environment is no longer the same of his childhood and youth (land, forests, rivers, animals, plants, family), but also recreates the love life of grandparents. "Before crossing rivers" opens Friday July 17 in the former convent of Culhuacán. Morelos No. 10. Culhuacán colony. Phone: 5608-0122. Performances are every Friday, Saturday and Sunday until August 16 to 19 hours.
Master Martínez Medrano, Emilio Carballido notes that "states that the character (Esteban Plaza) is the old man who unfortunately all despise. When people reach old age, usually children and people no longer respect them. Only 8% of they are worried about their old parents. "
actors involved in the assembly and technical part of the LTCI in Mexico City.
• Cayetano Martínez Cordero
• Carmen García López
• Silvia Estela Rosas
Duartes
• David Alpizar Mora
• Jorge Alejandro Suarez Rangel
• José de la Cruz León
• Patricia Cruz Aramburo
• Pamela Vazquez Luna
• Carmen Reyes Zamora
• Adriana Aramburo Cruz
• Roberto Ramírez Méndez
Education work and theatrical production Laboratories Teatro Campesino and Indigenous begins in 1972 in Yucatan Theatre Workshops (Uaymitún, Cordemex Cultural Centre, Theatre Space in the Southeast and Virgilio Mariel .) In Tabasco started its activities in 1983 supported by the then state governor, Enrique Gonzalez Pedrero and his wife, Julieta Campos. Object
awards in Mexico and abroad, and participating in festivals in Veracruz, Tabasco, Guanajuato, Sinaloa, Yucatán and Mexico City and in New York, Cadiz and Madrid, the LTCI is has spent working in small communities of no more than 2 000 people, usually in terms of economic and educational marginalization.
For over 35 years, teacher Maria Alicia Martinez Medrano Theatre Lab founder of unique, has worked with rural and indigenous communities in the country to recover and disseminate the performing arts of our indigenous and mestizo cultures. In this time he founded about 20 laboratories in the Federal District, Mexico State, Morelos, Yucatan, Quintana Roo, Sinaloa and Tabasco.
Similarly, the work of LTCI has been endorsed by national and criticism of writers, journalists, playwrights and actors. Currently the project is part of the Program to Support Arts Groups Performing Arts Professional, Mexico on Stage, the National Fund for Culture and the Arts (FONCA).
This is not the first foray of the LTCI in the former convent of Culhuacán earlier in the year 2000 presented Boba Lady of Elena Garro and Moctezuma II, Sergio Tomorrow, with great success. And as part of the death anniversary of Master Cristina Payan Laboratory Teatro Campesino and Indigenous, introduced July 13, 2007 Conmemorantes staging of Emilio Carballido.

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