Mario Rojas: "There are stories to form the map of another Chile"
"I have a problem. Or at least I think it's a problem, "says musician Mario Rojas, rubbing his temple, seeking an explanation for evil. "Every time I finish a job, no matter what the best types have participated and everyone tells me is beautiful. Me is a gap and I have to get into something else. I find it hard to promote. I do little and badly, "he explains.
and is a key factor to understand the latest addition to its signature above: the reissue of the Oedipus Tango, the book published Rojas twenty years under the seal of the former Editorial outbursts, now recovering in the hands of Quimantú life (see box). "When I wrote it had zero bias. He had lived many years outside and had a strong disconnect with Chilean literature. He had no shame. I felt free to write whatever he wanted. Then I was inserted in the national reality in the readings, critique. And I went achunchando "he says.
Without modesty
The story behind the lines 's tango Oedipus is known. In the late eighties, Rojas was part of the first life of the band De Kiruza, sharp tongues of the national proto-rap. The book was written between 1989 and 1990 in the months that Mario Rojas returned to Chile from exile and frequented the offices of the magazine Trauko , where the officiating of script writer and editor.
"I wrote this so influenced by Peter Foncea as Uncle Roberto Parra. It was clear, then and now, that belong to that class of writers accursed as' Chicago Chico ', Armando Méndez Carrasco,' The River 'by Alfredo Gomez Morel or' La Negra Ester ", or it was contemporary with Peter and Mauritius Lemebel Redolar "says Rojas. "It was like saying, 'you heard of this, this is another Chile. Here are a few stories to make this map, which is not shown, but it is highly interesting '. "
Rojas made "some changes of form only" the book he published in 1990. Retained the prologue gave Roberto Parra, adding another voice to the protagonist of Oedipus Tango. And he has prepared the sequel, "The success of Pablo Figueroa." But again grabs the temple: "O you concentrate on something or dreamed. If it brings conflict this to be a singer, promoter of the cueca, director of a website, a documentary director, writer appear only three times the confusion. Was stuck the book, but it's out. "
"I have a problem. Or at least I think it's a problem, "says musician Mario Rojas, rubbing his temple, seeking an explanation for evil. "Every time I finish a job, no matter what the best types have participated and everyone tells me is beautiful. Me is a gap and I have to get into something else. I find it hard to promote. I do little and badly, "he explains.
and is a key factor to understand the latest addition to its signature Above: the reissue of "The Oedipus tango," the book that Rojas published twenty years ago under the seal of the former Editorial outbursts, now recovering in the hands of Quimantú life (see box). "When I wrote it had zero bias. He had lived many years outside and had a strong disconnect with Chilean literature. He had no shame. I felt free to write whatever he wanted. Then I was inserted in the national reality in the readings, critique. And I went achunchando "he says.
Against nature of the author, no release. "The Oedipal tango" will be presented Saturday at the Sala SCD Bellavista (Santa Filomena 110), and then engage with a live concert by the musician with his band The Flaiting Project. It will be the occasion of the first DVD and live concert recorded in his career Rojas. Shamelessly
The story behind the lines of "Oedipus Tango" is known. In the late eighties, Rojas was part of the first life of the band De Kiruza, sharp tongues of the national proto-rap. The book was written between 1989 and 1990 in the months that Mario Rojas returned to Chile from exile and frequented the offices of the magazine Trauko, where the officiating of script writer and editor.
"I wrote this so influenced by Peter Foncea as Uncle Roberto Parra. It was clear, then and now, that belong to that class of writers accursed as' Chicago Chico ', Armando Méndez Carrasco,' The River 'by Alfredo Gomez Morel or' La Negra Ester ", or was contemporary with Peter Lemebel Redolar or Mauritius, "says Rojas. "It was like saying, 'you heard of this, this is another Chile. Here are a few stories to make this map, which is not shown, but it is highly interesting '. "
and start another journey. He shared the stage with Parra, Nano Nuñez, with amongst locals. Was assembled as a soloist and leader of The Flaiting Project. Www.cuecachilena.cl founded the site and since then has seen the conversion of the genre: "I feel the cueca is finally returning to the context of popular music." Rojas
made "some changes of form only" the book he published in 1990. Retained the prologue gave Roberto Parra, adding another voice to the protagonist of "The Oedipal tango." And he has prepared the sequel, "The success of Pablo Figueroa." But again grabs the temple: "O you concentrate on something or dreamed. If it brings this conflict to be a singer, promoter of the cueca, a website manager, director of a documentary, to appear triples as a writer only confusion. Was stuck the book, but it's out. " LN
Mark L. Moraga
"I have a problem. Or at least I think it's a problem, "says musician Mario Rojas, rubbing his temple, seeking an explanation for evil. "Every time I finish a job, no matter what the best types have participated and everyone tells me is beautiful. Me is a gap and I have to get into something else. I find it hard to promote. I do little and badly, "he explains.
and is a key factor to understand the latest news by signing up: the reissue of "The Oedipal tango," the book that it published Rojas twenty years under the seal of the former Editorial outbursts, now recovering in the hands of Quimantú life (see box). "When I wrote it had zero bias. He had lived many years outside and had a strong disconnect with Chilean literature. He had no shame. I felt free to write whatever he wanted. Then I was inserted in the national reality in the readings, critique. And I went achunchando "he says.
Against nature of the author, no release. "The Oedipal tango" will be presented Saturday at the Sala SCD Bellavista (Santa Filomena 110), and then engage with a live concert of the music accompanying his band The Flaiting Project. It will be the occasion of the first DVD and live concert recorded in his career Rojas.
shamelessly
The story behind the lines of "The Oedipal tango" is known. In the late eighties, Rojas was part of the first life of the band De Kiruza, sharp tongues of the national proto-rap. The book was written between 1989 and 1990 in the months that Mario Rojas returned to Chile from exile and frequented the offices of the magazine Trauko, where the officiating of script writer and editor.
"I wrote this so influenced by Peter Foncea as Uncle Roberto Parra. It was clear, then and now, which belonged to that class of writers accursed as' Chicago Chico ', Armando Méndez Carrasco,' The River 'by Alfredo Gomez Morel or' La Negra Ester ", or was contemporary with Peter and Mauritius Lemebel Redolar" says Rojas. "It was like saying, 'you heard of this, this is another Chile. Here are a few stories to make this map, which is not shown, but it is highly interesting '. "
and start another journey. He shared the stage with Parra, Nano Nuñez, with amongst locals. Was assembled as a soloist and leader of The Flaiting Project. Www.cuecachilena.cl founded the site and from there has been the conversion of the genre: "I feel the cueca is finally returning to the context of popular music."
Rojas made "some changes of form only" the book he published in 1990. Retained the prologue gave Roberto Parra, adding another voice to the protagonist of "The Oedipal tango." And he has prepared the sequel, "The success of Pablo Figueroa." But again grabs the temple: "O you concentrate on something or dreamed. If it brings this conflict to be a singer, promoter of the cueca, director of a website, a documentary director, writer appear only three times the confusion. Was stuck the book, but it's out. " LN
| Quimantú, by age 40 |
| Edip's tango or was published by Editorial Quimantú, it founded the Popular Unity government in 1971 after the nationalization of Zig Zag, with the idea of \u200b\u200bhaving books at popular prices. Next to the Red Book, recent developments meet names like Hernan editorial Viluñir ( Inhabitant unfinished), Wobblies men, ideas and problems of anarchism in the twenties, Victor Muñoz, among others. A story also adds the limelight on the subject of the documentary "The Burning": the only Chilean film within the jurisdiction of the Film Festival Buenos Aires (Bafici), an event that last night the curtain fell. In the film, the director Rene Ballesteros recorded his investigation by the memories of his mother Margarita, all gone through the history books Quimantú. |
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